/* Martin Freres Content Styles */
.mf-answer-target {
background: linear-gradient(135deg, #f8f9fa 0%, #e9ecef 100%);
border-left: 4px solid #2c5282;
padding: 1.5rem;
margin: 1.5rem 0 2rem 0;
border-radius: 0 8px 8px 0;
font-size: 1.1rem;
line-height: 1.7;
}
.mf-answer-target strong:first-child {
color: #2c5282;
display: block;
margin-bottom: 0.5rem;
}
.mf-stat-box {
background: #fffbeb;
border: 1px solid #f59e0b;
border-radius: 8px;
padding: 1.25rem;
margin: 1.5rem 0;
font-size: 0.95rem;
}
.mf-stat-box sup {
color: #6b7280;
font-size: 0.75rem;
}
.mf-field-note {
background: #f0fdf4;
border-left: 4px solid #16a34a;
padding: 1.25rem;
margin: 1.5rem 0;
border-radius: 0 8px 8px 0;
font-style: italic;
}
.mf-field-note strong {
color: #16a34a;
font-style: normal;
}
.mf-toc {
background: #f8fafc;
border: 1px solid #e2e8f0;
border-radius: 8px;
padding: 1.5rem;
margin: 1.5rem 0 2rem 0;
}
.mf-toc h4 {
margin: 0 0 1rem 0;
color: #334155;
font-size: 1rem;
}
.mf-toc ul {
list-style: none;
padding: 0;
margin: 0;
}
.mf-toc li {
padding: 0.35rem 0;
border-bottom: 1px solid #e2e8f0;
}
.mf-toc li:last-child {
border-bottom: none;
}
.mf-toc a {
color: #2563eb;
text-decoration: none;
}
.mf-toc a:hover {
text-decoration: underline;
}
/* Spacing between sections */
article h2, .entry-content h2, .post-content h2 {
margin-top: 3rem;
margin-bottom: 1.25rem;
padding-top: 1rem;
}
article p, .entry-content p, .post-content p {
margin-bottom: 1.25rem;
line-height: 1.8;
}
article h3, .entry-content h3, .post-content h3 {
margin-top: 2rem;
margin-bottom: 1rem;
}
article ul, .entry-content ul, .post-content ul {
margin-bottom: 1.5rem;
}
article li, .entry-content li, .post-content li {
margin-bottom: 0.5rem;
line-height: 1.7;
}
.mf-answer-target + nav.mf-toc {
margin-top: 2rem;
}
nav.mf-toc + h2 {
margin-top: 2.5rem;
}
.mf-stat-box, .mf-field-note {
margin: 2rem 0;
}
Martin Freres clarinets are prized in orchestral settings for a warm, focused tone, precise intonation, ergonomic keywork and reliable projection, qualities that help clarinetists blend with strings while retaining presence for solos. Their historical designs and careful acoustical balance make them suitable for both section work and exposed orchestral passages. ...